
April/May, 1998
No. 034/VI/98
cover story

Bali's top corporate
women
Out of the Frying
Pan
The legacy of widow
burning in modern Bali
beyond
bali
Pedal Power
Cycling around Lombok
regular
features
Sidelines
The cultural
value of
Indonesia textiles
Adventure
Off-road trips by Land
Cruiser
Home Grown
Bali's surf hero of
nineties, Rizal Tanjung
Health and Beauty
Mandara's many
Bali
spas
Books
The Butterflies of Bali
Food
Four delis that have
survived the crisis
Photo Gallery
F.X. Marit captures nyepi
on film
Jungle
Drums

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Through the Darv Institute, a private public relations school which
she founded in Denpasar, Simatupang is grooming the next generation of
high profile public relations managers. As a lecturer, managing director of
VCS, a public relations agency, a radio and television broadcaster, wife
and mother, she is a dynamic role model for her female students. However
an indicative measure of the younger generations concept of a womans
place comes in her response when asked of their ambitions. Many young girls
say they will work until they are married, and then continue to work if
their husbands permit.
Although many tourists will notice and take for granted the
many women working in the service industry now, there was a time when this was
highly frowned upon. Parents had a difficulty accepting that their daughters
worked in hotels filled with foreigners because in the early stages of tourism
development this work carried an automatic stigma of ill repute. Society can
now accept that tourism is a suitable place for women, says Simatupang.
It is not an issue for society at large, but with the parents who come from a
different era, there is often a difficulty in accepting their daughters working in
this area.
For Yanie Mason, growing up in Kuta in the 70s and 80s
meant increased exposure to foreigners and a burgeoning curiosity for the world
beyond Bali. Through working selling drinks to hippies on the beach to working in
hotels and opening her own restaurant, Mason recalls that the prevailing
sentiment was one that stressed that mixing with foreigners was not what decent
girls did. She remembers at one time being forbidden by her superior at a hotel
to go out to discos. He told her she was bringing a bad reputation to the
hotel after fellow workers spotted her out dancing, the belief being that
Balinese women in nightclubs must be loose. Yanie says she resigned. She
experienced further struggles when she married an Australian, but 13 years later
they are partners in one of the largest adventure businesses on the island,
while bringing up two sons and maintaining her links to her Balinese upbringing.
Its changing now, she notes. A woman can prove to her
family and relatives that it is good to explore and find out what she can do.
More people can accept now that women have a career and that they can do so
and also have a strong family life.
Mayke Boestami exudes a calm and confident energy and has an
inviting warmth and instant friendliness. Definitely characteristics that serve as
assets for the public relations manager of the Hotel Bali Padma in Legian.
Involved in the tourism industry for 10 years she has a fresh enthusiasm for
her career. I enjoy my life and I enjoy my job, she says. Public
relations is in my blood, I love meeting people and I love entertaining. But
Boestami readily notes that her situation is rather unusual. Married twice, she
is now a single mother of two young independent men and is married to her
job. She lives on the premises of the hotel, which makes her available
for emergency and crisis -solving 24 hours a day. She readily admits that
public relations work can be demanding and notes that her live-in situation is
not the norm for women working in the field. Its not easy for husbands
because there are often meetings and events to attend in the evenings, she
says. It can be a bit of a handicap for her career if a woman does not have
her husbands support.
Her advice to young women who want to develop careers in the
public relations field is to be outspoken and friendly and have a good sense
of people. It is not an easy job because you need a solid, positive and
confident nature, she says. Its hard because women have been brought
up to be timid and shy.
Wayan Suartini is the director of the Seniwati Gallery of Art by Women
in Ubud. When she sits down to tell the narrative of her life, it is
obvious that hers was a long journey. Although not an artist herself, Suartini has
shared the traumas women artists have overcome, including family disapproval and
rejection, to pursue and succeed with their chosen passion. Suartini was born in a
remote village in central Bali where her parents ambition was that she learn to
prepare temple offerings and settle in the village. Early successes in school, and
the help of a scholarship, motivated Suartini to pursue her education, and with the
encouragement of an older brother, she left home to pursue studies in business
administration and English. She supported herself by taking in embroidery work.
At the time I wondered why I was studying these subjects. I didnt know
what I would do with these things, but they brought me here, to this, she says of
her present career. But the path to Seniwati was not glamorous. She worked hard and
long hours in losmens and restaurants in Ubud before meeting a visiting woman
artist who hired her to help in the studio and befriended her. Through this artists,
Suartini met Mary Northmore, the founder of the gallery. Northmore radiates a solid
confidence in Suartinis skills and abilities to run the gallery and says she is
gradually removing herself from the administration of the gallery. She sets the
ground rules for our work, how to operate in a way that is acceptable to the
Balinese, says Northmore. She is my guide, not the other way
around.
Above:
1. Violetta Simatupang
2. Yanie Mason
3. Wayan Suartini
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